Научиться рисовать на ногтях пошагово: Простые рисунки на ногтях для начинающих пошагово: 40 фото идей

2020 Рисунки на ногтях для начинающих пошаговое фото

Разумеется многим из вас хочется не только посмотреть на красивый маникюр, но и делать его самостоятельно в домашних условиях. Специально для Вас специальная рубрика, с пошаговыми инструкциями-фотографиями как делать простой и не очень рисунок ногтей.

Пример № 1

Как правильными движениями наносить однотонный лак.

Пример № 2

Простой и наглядный пример как сделать оригинальный гибрид водного дизайна + дизайн дотсом.

Пример № 3

На этом фото видно как шаг за шагом можно сделать красивый рисунок крыльев бабочки на ногтях.

Пример № 4

Ещё один пример, как без особых усилий нарисовать бабочку целиком.

Пример № 5

Использование ленточек для получения ровных линий для частично прозрачных ноготков.

Пример № 6

Фото-советы для красивого дизайна виньетки с блёстками на матовом чёрном ногте.

Пример № 7

С помощью данных бумажек трафаретов и дотса можно сделать оригинальный маникюр с ровными и аккуратными линиями.

Пример № 8

Один из вариантов газетного маникюра.

Пример № 9

Рисунок в стиле крыло бабочки.

Пример № 10

Очень подробная инструкция как делать простой рисунок разноцветными квадратиками на френче.

Пример № 11

Чёрно-белый дизайн с оригинальным кружевным переходом.

Пример № 12

Перьевой маникюр. На днях узнаю как это делается, и сделаю подборку с фото этого типа дизайна. Это что-то необычное.

90000 How to Draw Hands from IMAGINATION — Step-by-Step 90001 90002 90003 90004 90005 90006 Assignment 90007 90002 So lets do it. Your assignment is to follow this process and draw 5 hands from imagination. Post them in the Anatomy Group. I might critique your drawing in the next critique video. 90005 90002 Btw, I just published a new hands reference pack. These should help you guys practice sketching hands, study the anatomy, and could be reference for your illustrations.There’s a bunch of different poses. Over 1500 photos total. And Marshall Vandruff is one of the main models. If you want it grab it here. 90005 *** 90002 We’ve learned the bones, we learned the muscles, and we learned about the surface details that will make your hand drawings realistic. If you missed those lessons, check out the links below. 90005 90014 90015 90002 In this video I’ll show the process that has helped me to draw hands accurately from imagination. It’s also a great process if you’re drawing from reference.I’ll be using it in my upcoming narrated hand demos. Half of those will be available for free and the other half will be for my premium proko people. 90005 90002 Keep in mind, even though the process itself is quite simple, drawing hands is never gonna be easy. There’s prerequisites that make it challenging, like anatomy, perspective and shading. If you want to draw simple hands, rather than learn a simple process to draw real hands, I will have a lesson on drawing Cartoon Hands. But all this stuff ties together, so let’s get started … 90005 90020 The Idea 90021 90002 The first step is to 90023 get a clear idea of ​​the hand 90024 you’re gonna draw.Do not jump in blindly and start drawing. Figure out the angle we’re looking at the hand from. Can we see the back of the hand or the palm? How much of the front are we seeing? Or are we looking at it from the back? What is each finger and thumb doing? What about the wrist? 90005 90002 Imagine this clearly in your mind before you make a mark. And you always have your own hand that you can use to figure it out. 90005 90002 And do not draw boring hands. 90023 Push the gesture. Push the story of the pose.90024 If the action is the fingers spreading, think about what happens when you spread them farther. When I try to spread my fingers as far as I can, my wrist flexes a little and my fingers bend back. That makes the pose a bit more interesting. 90005 90002 90033 90005 90002 Hands are extremely expressive. When you’re drawing hands 90023 you have to be an actor 90024. Just like when you’re drawing facial expressions. You gotta feel the expression of the hand pose you’re drawing. 90005 90002 90040 Once the idea is clear, we’ll 90023 start constructing the hands using simple forms 90024.I’m gonna say it a lot in this lesson … it’s important to step back and think about the 90043 simple forms 90044. The complicated collection of bone, muscle, tendon, fat, and skin of the 90023 palm becomes a simple box 90024. The wrist is a narrower box, which bends at the carpals. The 90023 fingers become cylinders 90024 or boxes. With the hand simplified like this, it becomes much more manageable to pose, add anatomy, and to shade it. 90005 90020 The Palm 90021 90002 I mentioned that the palm areas can be simplified to a boxy form with equal height and width.That’s a good place to start, but if you want to be a little more precise, it’s good to start thinking about the nuances. Notice that the bones on the pinky side are slightly shorter. So, we should curve that front plane. The middle finger area should be longest. Later on we’ll add the muscular tear drops on both sides. For now, let’s ignore the muscle masses and just keep the palm as a simple concave box. 90005 90002 We’re looking at this box from the top. We can see the right side and the front plane of the knuckles.This is the sort of thing you need to figure out early on in the drawing — the proportion and perspective of all the simple forms. This applies no matter what you’re drawing. Until you’ve figured out all the basic information, you should not draw any details. It will be harder to notice and correct mistakes once you have details like fingernails, creases, and shadows crowding the drawing. Not to mention, all your wasted time and effort! 90055 90005 90057 90055 90055 Let’s rewind. Before we add the fingers, let’s 90023 split that front plane into 4 parts 90024.That way we know where each finger extrudes from. Do not forget about the foreshortening! 90002 If you can do that, you have a really good starting point and you’re on your way to drawing an awesome hand. 90005 90020 The Fingers 90021 90002 At this point you can start extruding the finger segments, but it helps me to start with some kind of gestural or wireframe guideline. I’m gonna give you 3 options that you can choose from. Everyone has their preferences and different poses might call for different approaches.90005 90002 If the fingers are grouped together, you can try to 90023 imagine a mitten shape 90024 for all of them. If one or more of the fingers is separate from the group, draw it separate. Group the ones that you can and decide if they’re bending. 90005 90002 Another way is to throw down some 90023 lines and dots for the knuckles 90024. This can help figure out the position and length of each segment with minimal lines that are easy to adjust. 90005 90002 The third option is to 90023 draw the gesture of each finger 90024.Do not worry about separating each phalanx. Ignore the joints and just identify the motion of each finger. Do this very lightly. 90005 90002 90081 90005 90002 As I said, different poses will call for different approaches or combination of them. And, everyone has their preferences. Try them out and see what you like. 90005 90002 A good tip is to 90023 start with the pinky and index finger 90024. It’s easy to figure out the middle two once you get the pinky and index. They’re either distributed evenly between or grouped in some way.Personally I like to look for ways to group some fingers together, unless the expression in stronger without grouping, like in this case. Which fingers to group together is up to you. Whatever results in the best expression. 90005 90002 Ok, now let’s 90023 add some structure to the fingers 90024. Usually I like to use cylinders for each segment. Cylinder because they’re easier and quicker than boxes. And it’s pretty easy to turn a cylinder into a box later, if I want to indicate the rotation of that cylinder.An indication of the box at the joint is enough. 90005 90002 There’s 12 segments in the fingers, and that does not even include the thumb. That’s a lot of cylinders and boxes to think about. 90023 It’s tempting to rush 90024 through them, but fight the feeling of urgency. Get them in the right spot, with the right proportions and perspective. As you’re working and correcting your mistakes, you might notice that your line are getting darker and darker and darker … This makes it hard to work on details later.Do your best to 90023 keep your lines light 90024 and clean throughout the construction process. Do not scribble and create a mess. Think through the drawing. 90005 90099 90020 The Thumb 90021 90002 In the hand bones lesson we learned about the triangular box for the base of the thumb. This triangular box can be stretched, squished, and rotated depending on the position of the thumb’s metacarpal. Look at your thumb and see all the different ways it can move. Sometimes I imagine the metacarpal bone to make sure it’s position is believable and the length relates correctly with the others.The gap between the thumb and palm is filled with muscle and skin in a triangular shape. Thus, the triangular box. Or just a long gesture through the bones and then an indication of the skin between the knuckles. Up to you. 90005 90002 90105 90005 90002 From that triangular box, extend a cylinder for the first phalanx. And then a triangular scooped wedge shape for the end of the thumb. Kinda like a trowel. And from profile, remember it will look like a dog head. 90005 90002 90110 90005 90020 The Wrist 90021 90002 On the surface, the wrist curves to fill the gap between the palm and forearm.So, a good place to start is the 2 × 4 form of the forearm bones. The wrist would be a transitional plane when there’s a bend. Look at Bridgman for inspiration when designing the wrist. Here’s a few different poses so you can see how the wrist behaves. Notice how he puts a little step down from the forearm to the hand. It’s a nice design that can make your drawing more interesting and dynamic. Instead of putting the hand and forearm on the same level, put the hand lower than the forearm. That step gives a nice flow through the wrist.90005 90116 90002 90118 90055 90023 Bridgeman Hands 90024 90055 90005 90002 At this point we have the hand posed. From here we just develop the forms of the muscles, and the details like skin folds, fat, veins and tendons. If you think the process has been kind of meticulous so far, you’re right. As you get comfortable with the process, you’ll be able to skip some steps or just throw quick indications of the forms instead of constructing all the meticulous boxes. The thing is, to get good enough to do that, you have to practice the meticulous way first.That gets the forms ingrained in your head so that you can draw accurate indications of them later. 90023 Drawing quickly and loosely is a skill developed by drawing slowly and carefully 90024. This tutorial is intended for those that are in it for the long haul. The students that are willing to put in the time now to become one of the best. I hope that’s you! 90005 90020 Muscles 90021 90002 In the first hands lesson we learned about the 3 muscular forms of the hand. Papa Bear, Mama Bear, and Baby Bear.. 90005 90002 90133 90005 90002 The Papa Bear on the thumb side of the palm is the biggest. I always think of it as a drumstick. A thinned stretched out drumstick if the thumb is pulling away from the palm. A thick round drumstick when the thumb is squeezing against the palm. 90005 90002 The muscles on the pinky side are also a teardrop, but they’re mostly covered with a thick layer of fat on the palm. I include the fat and draw the form as a convex box. When the pinky is flexing or abducting, the crease between the fat and muscle appears.I’ll show the corner of the fat pad, and the round form of the muscle belly. If the the pinky was relaxed, I would round out this edge. 90005 90002 When the thumb is squeezed in, these two forms are separated by a crease. Otherwise, do not force a crease in there. Remember, hand butts … 90005 90002 So, in this pose, since the pinky is abducting away from the others, I would see a crease here between the fat and muscle. 90005 90020 Shading and Details 90021 90002 At this point, I like shading in the primary forms.I pick a light direction which I feel works best with this pose. To watch me shade and invent all details for these hands, check out the premium anatomy course. There’s so much to learn about human anatomy and if you’re ready to dive it, check out our Anatomy Course. 90005 90002 90148 90005 90002 90023 Drawing from imagination is good paired with drawing from life 90024. If you’re drawing from imagination and you’re really struggling with a certain pose, take a picture of your own hand in that pose and study it.When you study from life you learn more about how the hand works and how the shapes look in various poses. You can use that knowledge to improve your work from imagination. 90005 *** 90006 Assignment 90007 90002 So lets do it. Your assignment is to follow this process and draw 5 hands from imagination. Post them in the Anatomy Group. I might critique your drawing in the next critique video. 90005 90002 Btw, I just published a new hands reference pack. These should help you guys practice sketching hands, study the anatomy, and could be reference for your illustrations.There’s a bunch of different poses. Over 1500 photos total. And Marshall Vandruff is one of the main models. If you want it grab it here. 90005 90002 Alright, go have some fun. 90005 90002 Filed in: Anatomy • Videos 90055 Tagged with: featured • hands 90005 .90000 How to improve faster in 6 steps! by DocWendigo on DeviantArt 90001 90002 Do you know how to sketch human figures but do you want to refine your anatomy skills? Or do you not know anatomy at all and you are tired to trust your imagination? Did you notice you create disproportions in your drawings? 90003 90002 If you are aspiring artists and you already have your own style, you might as well believe you have no need of a guide, but you are wrong. Before exaggerating human proportions and begin to have your own style, you first have to know the basics.90003 90002 This little guide is the result of an accurate research and 5 years of high school of art, and it’s created for all those who want to learn something new or just make a useful review. 90007 For those who have already studied art, my suggestion is to go to step 6 or trying to repeat all steps in Digital format. 90003 90009 STEP 1 90010 90002 90007 First of all, if you want to learn faster you should draw using traditional tools. It may seem a stupid or banal rule but it is not.90003 90002 90015 You will need a piece of paper and a pencil 90016, preferably a medium-hard pencil or HB ( «H» stands for «hardness,» while «B» stands for «blackness»). If you have already familiarity with this hard drawing medium you could obtain different soft pencils instead: B, 2B and 4B will be fine. A putty rubber and a white rubber from a good brand will work fine. 90003 90002 However, I’m not here to describe which tools are better for drawing traditionally, and for me a hoe would work fine as well: it’s the passion that counts! 90003 90002 Now that you have a pencil and F4 paper (F2 is less thick and if you erase often you could ruin it, that’s why F4 is ideal) you can start your work.You can also make out with A4 paper which is thicker than normal, otherwise you will pass the sheet if you use a hard mine (or if your hand is too heavy, if you know what I mean …). 90003 90002 Well, now that you have the tools, sharpener included, get in a bright spot of your house, preferably on an inclined surface (otherwise your future drawing will look in perspective, and you may not be happy with the result!) And 90015 copy the hand your not using for drawing. 90016 Try not to erase too much.90015 Try to grasp the structure of your hand through many sketches in which you should only draw the outlines of your hand and fingers 90016, you should forget about the shading for a moment. 90003 90002 Fill the paper with these sketches of your hand in different poses and please include your wrist if you can. 90015 Continue your workout every 2/3 days (preferably daily) for 2 weeks 90016, what am I saying? 90015 Do it until you could see significant improvements! 90016 90003 90002 Write the date on each work you have done and keep them carefully without rubbing them.The first step to be a good artist is to give value to your works. When the hand really looks like a hand and not a mass of sausages then you’re ready for Step 2. 90003 The result will be similar to this, only the folds of flesh and contours of the hands should be visible. 90007 Hand proportions work this way … 90002 90009 STEP 2 90010 90003 90002 90007 So now we better move to the second point. Ok guys, do you remember your own hand? That hand you copied so many times, that fist, that cramp that came while you deformed it? Here you are, you should repeat the procedure but this time you will not have to copy only the outlines of your fingers.You must work hard and point on your hand the dramatic light of a lamp, because this time 90015 you should draw your hand and shade it. 90016 90003 90002 If you are drawing using a HB pencil then shade using a B or 2B. You will realize soon that it is not so difficult to find the darkest points: the hard part is not to make the whole drawing uniformly black or uniformly gray and creating well balanced halftones. 90003 90002 You may find some difficulties, yeah right! all normal, because in fact you’re seeing your hand 90015 in colors 90016 (as long as you’re not color blind) and you’re just simplifying your hand colors using the greyscale instead.So, do not give up! It was hard for everyone at the beginning. 90003 90002 90015 Repeat this exercise every 2/3 days 90016 until you can see a clear difference between the first hand (remember to write the date on the drawings!) And the last hand you drew. Are you satisfied with your improvemente? Good, because you will have more fun following STEP 3. 90003 These are practical examples of a good result. 90007 90002 90009 STEP 3 90010 90003 90007 Since you are already conversant with your left hand (or right that it is) and you say you know it by heart (if you say so…), now I’m asking you to 90015 take your colored pencils 90016 and do an experiment. This time I’m asking you NOT to do a preliminary sketch in pencil of your drawing: just 90015 draw one or both of your feet, using colored pencils only on semi rough paper F4 of different colors 90016 (I recommend a white, a grey , a blue and a black for a good start). Again, do not stop until the result satisfies you. Write the date on the work because now the interesting part begins. 90007 The result should be similar to these, of course in colors.90007 Feet proportions works this way … 90002 90009 STEP 4 90010 90003 90002 90007 Now that you have experimented with various techniques and you quite understand how your hands and feet are made, you need a model for understanding how the face works. 90003 90002 Ask one of your friends, your parents, if nobody wants to pose for you then use a picture (but it’s always better to do life drawings first!). As tools you will need a ballpoint pen, preferably black or blue, and a white smooth paper (A4 copy paper is fine too).Now 90015 make a copy of the person in front of you (face, neck and shoulders) 90016, and remember well 90015 that you can not / must not erase this time! 90016 Yes, I’m evil. Try to do several sessions of the same person until the drawing is really similar to the original and recognizable from others. 90003 Begin with a front and profile view, then try out 3/4. 90007 The proportions of the human face work this way … 90002 90009 STEP 5 90010 90003 90002 90007 It ‘s time to understand how the human proportions work.A tip? Never stop taking references from the human figure (as long as you’re learning) or you will make a lot of mistakes or exaggerate many anatomical features without even noticed it! 90003 90002 Now 90015 use your live model of choice 90016, or look in fashion magazines and 90015 copy a full human figure in different poses 90016, 90015 focusing on lines, shading, dynamism and execution speed 90016. 90003 90002 To improve your speed you should 90015 first start with 15 minutes poses, then reduce the time to 10 minutes and 5 minutes at last.90016 Use a timer: leave the drawing unfinished and start another one when the time elapses. 90003 90002 Do many of them, every day. 90003 The results should be something like this … 90007 If you did not understand how the anatomy works, you can study some good tutorials for the human body … 90009 STEP 6 90010 90002 90007 The time has came. It is time to finish something guys! You should be really excited: you reached execution speed and some anatomy skills but you lack accuracy. 90003 90002 Use your awesome 90015 live model 90016 again and ask him to pose for a 90015 longer session (2/3 hours minimum) 90016.90003.90000 How to draw: the best drawing tutorials 90001 90002 If you want to learn how to draw, this is the guide for you. This post has tutorials guaranteed to sharpen up the skills of artists, and budding artists, of all levels and abilities. We’ve gathered together an extensive collection of how to draw tutorials, covering everything from parts of the human body, to animals, flowers and the environment. So that it’s easy to navigate, we’ve split them into three different themes — you can use the jump links opposite to find the section you want.90003 90002 We’ve picked video tutorials on how to draw, as well as step-by-step written guides to really help you get to grips with drawing. Even if you’ve been drawing for years, chances are there’s at least one area that always stumps you (noses, anyone?) — this could be the tutorial that finally helps you make that breakthrough. Make sure you bookmark this post and come back whenever you get stuck or want to sharpen your skills in another area. 90003 90002 Some of the drawing tutorials here use digital tools, while others focus on traditional methods (check out our guide to the best pencils if you want to top up your pencil case), but there’s plenty of core skills to learn from both.So no matter what you want to learn how to draw or how you want to draw it, you’ll find something helpful here. 90003 90002 Working in Adobe Illustrator? Do not miss our round up of the best Illustrator tutorials from around the web. And if you’re after sketching advice specifically, then be sure to read our sketching tips from the experts. 90003 90010 How to draw animals 90011 90010 How to draw a dog 90011 90002 90003 Draw a dog that’s realistic and anatomically correct 90002 Kate Oleska offers a simple step-by-step guide to how to draw a dog, covering the key rules to follow to ensure your dog drawing is realistic and anatomically correct.Different breeds of dog may look very different, but beneath that fur they’re structurally similar. So even if your chosen pooch is not like the one in the drawing above, this step-by-step guide will come in handy. 90003 90010 How to draw a cat 90011 90002 90003 Top tips for capturing realistic furry felines 90002 The key to capturing a realistic cat is understanding that beneath all that fluffy fur is a solid structure. Learn how to draw a cat once and for all by following this simple, step-by-step guide from Kate Oleska.There’s also more helpful advice on developing your drawing skills, walking through how to observe and sketch cats, as well as how to recognise the internal skeleton. 90003 90010 How to draw a horse 90011 90002 90003 Draw better horses with a solid understanding of horse anatomy and mechanics 90002 Horses are notoriously difficult to capture. There’s no mass of fur to hide behind, there are all kinds of difficult angles on the head, and the skeleton works differently to what we’re typically used to.Plus, get it wrong and your steed will quickly start to look comical. Find out how to draw a horse that looks realistic in this easy to follow tutorial, which comes with a helpful video. 90003 90010 How to draw a wolf 90011 90002 90003 Learn how to draw a wolf with this easy-to-follow video tutorial 90002 Next up, it’s the king of all canines — how to draw a wolf. Believe it or not, there are many differences between dogs and wolves, so do not just assume because you can draw one, you can also draw the other.In this video tutorial, Masae Seki explains how these canine breeds differ, before walking through the process of drawing a side view of a standing wolf. As a bonus, there are also instructions on how to add a winter coat for those chillier months. 90003 90010 How to draw a bird 90011 90002 This how to draw a bird tutorial is a step-by-step guide to drawing a side view of a bird, using an American Robin as an example. The lesson begins by explaining the six major body parts to watch for when drawing a bird, before carving out its mass and structure.Finally the guide will cover the fine details, such as the facial features, feet, and most importantly, the feathers. There are also tips on how to draw a bird with its wings open. 90003 90010 How to draw a lion 90011 90002 This step-by-step tutorial will guide you through how to draw a lion — specifically, a side view of a male African Lion. You’ll start by establishing the skeletal structure, then move on to sketching in form, and finally adding details to create an accurate representation of a lion.Not exciting enough for you? This tutorial will also touch on the best way to depict a lion roaring. 90003 90010 How to draw an elephant 90011 90002 90003 Learn how to draw the world’s largest land animal 90002 Capture the world’s largest land animal with this in-depth video tutorial on how to draw an elephant. Start with blocking in shapes and covering basic anatomy, then move on to carving out the elephant’s mass and form of the body before diving into the details of this beautiful animal’s skin.90003 90010 How to draw a bear 90011 90002 90003 Follow this tutorial to draw a realistic bear 90002 Want to learn how to draw a bear that does not look like a teddy? This drawing tutorial offers pro tips for getting the anatomy right, so that you can create a believable bear. 90003 90010 How to draw a dragon 90011 90002 90003 Consider its weight and backstory (Image credit: Alex Stone) 90002 Learn how to draw a dragon, one of fantasy art’s staple creatures. This guide is complete with 16 pro tips to help you when drawing your own unique dragon.From use of colour to considering its backstory, this advice covers all you need to know. 90003 90010 Top tips for drawing fur 90011 90002 90003 Use scattering-type texture brushes to blend elements and give the illusion of fur 90002 Fur can be difficult to paint effectively. In this set of pro tips, concept artist Mikaël Léger guides you through how to depict thick black fur on a large beast using Photoshop. 90003 90010 How to draw feathers 90011 90002 90003 Top tips for giving your feathers a 3D finish (Image credit: Ivan Jones) 90002 This guide to how to draw feathers will have you drawing feathers with a three-dimensional finish, using pastels.It will take you through using highlights and shading to finish off your feathers, making them look super-realistic. 90003 90010 How to draw cartoon animals 90011 90002 90003 Discover how to add personality to creatures and characters that will make viewers care 90002 Once you’ve learned how to draw animals, you need to know how to make them work effectively within your paintings. This series of expert tips gives you great insight into drawing cartoon animals with personality, and how to use body language to tell a story with your creatures.90003 90002 Today’s best prices: top tools for illustrators 90003 90002 ART DESIGN ASST GRADES 12 … 90003 90002 Palomino Blackwing Pencils -… 90003 90002 DR St Pauls Wooden Field … 90003 90002 Winsor & Newton Series 7 … 90003 90002 Genuine Apple Pencil A1603 … 90003 90002 12.9-inch iPad Pro Wi-Fi … 90003 90010 How to draw people 90011 90010 How to draw a person 90011.